What I see, how I see it. "What a cool guy!"- Howard Kaylan - The Turtles, Frank Zappa's Mothers
Wednesday, April 30, 2025
Tuesday, April 29, 2025
Monday, April 28, 2025
Sunday, April 27, 2025
Two Dreams About Woodcliff Lake
Saturday, April 26, 2025
Friday, April 25, 2025
Thursday, April 24, 2025
Wednesday, April 23, 2025
Tuesday, April 22, 2025
Monday, April 21, 2025
Sunday, April 20, 2025
Easter - The Resurrection
Saturday, April 19, 2025
Friday, April 18, 2025
Good Friday
Thursday, April 17, 2025
Wednesday, April 16, 2025
Tuesday, April 15, 2025
Monday, April 14, 2025
Sunday, April 13, 2025
Palm Sunday
Saturday, April 12, 2025
Record Store Day 2025
Original We're Only in it For The Money album cover purchased July 1973
My mother Gail drove me, on my birthday (and on her lunch break), to Town in Country Music in Westwood, NJ (we lived three towns away in Montvale) to get a copy of We're Only In It For The Money by The Mothers of Invention. July 1973. I had turned 13.
In early March 1973, after school one day, my best friend Ron and I took our bikes to Valley Fair in Hillsdale, NJ to get the newly released Billion Dollar Babies by Alice Cooper. We arrived home at dusk. We were 12.
I got Patti Smith's first album Horses at Valley Fair also. It was the day before Thanksgiving 1975. My father had prepared a complete, traditional Thanksgiving dinner that we would drive to Alexandria, VA so my brother wouldn't be alone at Thanksgiving (and on his birthday) for his wife had just given birth to their second child and was in the hospital. I got to listen to Horses (once) the night I got it. Its cover was like nothing I'd ever seen before. A stark, black & white photo of Patti Smith in a suit against a white wall. Patti Smith in black letters, Horses in white letters on the upper right hand corner of the front cover. It was printed on shiny card stock, the record label - Arista - was light blue, the vinyl was heavy. While visiting my brother in Alexandria, we went out alone together to a Record Store (slash) Head Shop where I got a copy of Kevin Ayers' Bananamour. I was 15.
On Halloween 1975 I purchased Hot Tuna's First Pull Up Then Pull Down at a Record Store (slash) Head Shop in Laconia, NH. We had gone there to visit my mom's uncle Jack who lived in Laconia in a high end trailer park with his wife Helen & two daughters June & Nancy. During our visit Jack and my father made fresh lobster, dropping the big, squirming beasts into a huge pot of boiling water whereupon they would let out a hiss. At above mentioned Record Store (slash) Head Shop I also purchased what was known as a Concert Kit - a transparent purple rectangular container that housed a hash pipe, a pipe cleaner, rolling papers and extra screens. First Pull Up Then Pull Down came with a faux signed postcard of Maurice, the Jefferson Airplane/Hot Tuna impresario, bathed in a red light. It is inscribed "Cordially, Maurice." The cover of the album is an exquisite drawing by guitarist Jorma Kaukonen's wife Margretta, a truly gifted artist who lived a rather sad, self destructive life (post sixties/seventies), dying alone in a Mission (SF) district SRO sometime in 1997 of liver cancer. I own a small original drawing that came from an old notebook of hers. It was inscribed to husband Jorma in January of 1967. It is among a handful of treasures I own. I was told that Margretta often felt embarrassed by her art, I can understand that for I have often felt the same way about my own art.
Pitchfork Records in Concord, NH is a lot like the old Gotham Book Mart at 41 W 47th St. in NYC. Something always gets revealed to you there. They have been around for 50 years.
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From the Then and Now Journal. Written as dictated by memory & not in chronological order.
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